Showing posts with label fashion blog. Show all posts
Showing posts with label fashion blog. Show all posts

Tuesday, 12 April 2016

Couture to ribbons - how to make a DIY JW Anderson slatted top

JW Anderson's slatted chic is set to be a blinder for next season.

Inspiration



J.W. Anderson Ready To Wear Fall Winter 2016 London








You will need...





A top or sweatshirt (believe it or not!)

Bondaweb

10mm jump rings x 50

4mm eyelets x 100

Eyelet punch tool

Interfacing

Marker or tailor's chalk

Patternmaster or graded setsquare

Long-nosed pliers





Difficulty



Quite easy


Can't think of anything too demanding here but getting everything perfectly neat and professional-looking can be challenging.


Time


This took a lot longer than expected! Unfortunately, it took me somewhere between five and eight hours, although a lot of that was down to trial and error, so I'd say the actual work itself, without setbacks, would take somewhere within the region of five hours.

Slat that




Turn the sweatshirt inside-out and cover the front and back with interfacing.


Decide where you want the slits to go. I set mine out at 10cm intervals across the front, using my patternmaster to measure parallel lines 6cm from each side of the top, followed by two lines for the 'edge allowance' (you'll see what I mean later on) - each 2cm apart - and repeating the process until I reached the centre. I repeated this process across the back.



Cut strips of Bondaweb to cover the edge allowance on both sides. Again, mine were 4cm wide and I wouldn't recommend making them any narrower, otherwise the eyelets may be too wide for them. Iron the Bondaweb in place.



Cut lines along the centre of the edge allowance (you should have these already marked out) with V-shaped tips at either end.



Fold the edges back on themselves, including the pointed tips at the ends, and iron them to fix them in place.


Turn the sweatshirt right-side out and punch eyelet holes, measuring them as you go along to make sure they're the same distance apart and that they line up. I set mine out at 10cm intervals. Insert eyelets. You will need to use the eyelet puncher for this part.


Finally, join the eyelets together along the slits by inserting the jump rings. After that, your sweatshirt should hopefully look like this:



Sunday, 12 August 2012

DIY Digest: Foiled!

Another charming addition I thought I'd share with you - one that adds a £10 foil-finished jumper and some silver fabric paint, and no the result isn't £35, like the design that inspired it.


 Image: Riverisland.com


It was this impromptu urge to indulge that became me as I strolled through the shop earlier this weekend, before an increasingly well-used self-talk mantra that was to chine in my mind once again: "Wait for the sale!" before my creative call-to-arms; "I can make it at home for nothing!" My point? It comes at two different angles, for meandering as I was to the sale section, I recalled that I was comfortably replete in the silver fabric paint stakes and thought "All I need is a white jumper - surely that'd be bad tactics for them to put something as blatant as that in the sale?" Thankfully, how wrong I was. 10 minutes and one £10 pearlescent white jumper later, I knew exactly what I had to do to get a bona fide metallic foil effect.







You will need


Black and silver fabric paint - £3 each from Dylon

Fabric paintbrush - I'd recommend a coarse, bristly one

A white or cream jumper, bonus points if you can get one with a pearlescent "foil" finish, failing that, you can create a similar effect on the surface onto which you wish to paint, by investing in some pearlescent fabric paint



Time

I actually did time this one to the minute, well to the 30 minutes the whole process took me. Happy and glorious times!



Difficulty


Very easy

Needless to say, if you ask me!


How it's done


I find it helps to sketch your skull in place first with a pencil. Then mix in some black with your silver so that it contrasts with the background. Apply generous amounts of paint with each brush, sketching out some tiny leopard-style patterns in paint. You'll see that the pearlescent surface shines through to give it a metallic effect instead of the usual matte finish.

























Tuesday, 5 June 2012

Lovely Jubilee - Part 2

You will need

A metal clutch bag

Diamantés from seller crystalgems2010 (24408) on Ebay:

2000 in silver priced at £3.49 (total: £7.78 with postage and packing)

500 (approx) in black, priced at £2 (total £2.80)

250 (approx) each in red, yellow and blue £1.29 (total for the three with postage and packing £6.27)

Gemstone glue – £3.49 from Hobbycraft

Gel pens in gold, silver, black, blue and red

A few sheets of plain white A4 paper

Sticky back plastic

Spray mount

Scalpel

Tweezers 

Scissors

Masking tape

Time

15-20 hours

Difficulty



Fiddly and a good exercise for the old patience at times but worth it.



The method in the madness...

Check out this video and find out!



The Result












Saturday, 19 May 2012

Chic Shout Out - all the fun of Fashion Love Affairs

This week I was going about my usual DIY blogging business of solving the world's fashion problems the crafty way when I happened upon Erickson Beamon's fabulous neon-charmed cuff and necklace.





As charming as these items were, with asking prices of £650 and £715 respectively, I - justifiably - couldn't be asked with the real McCoy. Imagine, then, my excitement when I fortuitously happened upon a DIY fashion solution, courtesy of  the Fashion Love Affairs blog. It's great to see DIY fashion growing as a fashion followers' shared interest and as a blogging genre. Turning fashion's audience from consumerist to creative is a way of life I'm proud to be part of, and it's heartening to see other bloggers share that vision. It also proved that a lot can happen in the space of just one week - even when you're working for 45 hours of it - how I love the wonder of modern technology!

Gigi Danielle of Fashion Love Affairs made the prestigious cut for International Fashion Bloggers' "Links à la mode" list with her DIY jewellery entry "In all my glittery goodness" (Envious much - wardrobe envy, that is. Whatever did you think I meant?) She gave a diamante and ribbon necklace some fashion resuscitation with a slick of neon acrylic paint and a sprinkle of glitter with gold stars to add a bit of sparkle and texture.



To find out how and what to get, here's the link again - you know what to do!

It's so easy to get the Erickson Beamon look with this method and a diamante necklace. Mix your neon painted stones with glitter-covered ones. Throw some silver chains into the mix. Give your accessory a right royal finish by adding some diamantés. Have fun, experiment and, of course, save yourself a fortune. Your wardrobe will thank you for it - you know it makes sense!

Sunday, 13 May 2012

Oh Miu Miu's Stars!

Another brief D.I.Y. fashion bite for you this week, this entry's come somewhat later in the day than I would have liked. This is partially down to personal laziness and for that I'm giving myself a token slap on the back of the hand as we speak (as it were - or, perchance, as you read?). However, it was also a relatively late inspiration that spurred me on to attempt Miu Miu's painted snakeskin shoulder bag. The reason? As we all know, big prints are back. What's more, this baby grabbed me because it had an essence of handicrafts, itself, with hand-painted stars and a thin slick of blood red paint on choppy black snakeskin material.


Image: Net-a-porter

High fashion looked to craft in the 1970s, or the "me decade" as it was dubbed by Tom Wolfe. Zandra Rhodes and Ossie Clark were featured prominently in British Vogue, as well as Barbara Hulanicki's appliquéd works for her iconic Biba boutique. At the start of the decade, Bill Gibb, a designer known for his leather work, appliqué and elaborate knits, won the coveted 1970 designer of the year title. The do-it-yourself ethos  resonated at all fashion levels as a sartorial embodiment of self-expression. I've drawn this comparison in earlier entries with the subtly different paradigm of economising that D.I.Y. fashion signifies today. It's not to say that artistic expression - the free reign you have of knowing how to make anything you set your heart on - isn't another factor in the current popularity of crafty fashion projects. The aforementioned handbag I took on in this entry appeared to be a nod to fashion handicrafts of yesteryear, if only in the choice of medium - an incitement to be independent and create a look on a home-made personal level. Well, it was Vogue magazine's former editor-in-chief, Edna Woolman Chase who said "Fashion can be bought. Style one must possess" I like to think of said style as a second-hand faux snakeskin bag, a few fabric pains, a paintbrush, a palette knife and the merest smidgeon of creative ingenuity!


You will need


A dark-coloured snakeskin shoulder bag - mine cost £4.21 with postage and packing from Ebay.

Dylon fabric paint at £3/bottle at John Lewis and Hobbycraft in red (dark fabrics paint), white and black

Paint brush

Palette knife


Three simple steps to a stylish snakeskin statement piece


Use your paintbrush to cover your bag relatively thinly in red fabric paint - by that I mean with the  snakeskin texture clearly showing through and with dark background masked by a red tint but still visibly dark.


Use your palette knife to construct the straight shapes of your stars and to fill them in.


Go around the edges of your stars with your white fabric paint and palette knife. My tip would be to make sure your paint is as runny as possible, dip your palette knife ensuring that you coat the edges generously with paint and wipe the sides on the edge of your pain pot, so that you've only got paint on the edge of your knife. That's the best way to avoid smudging and unwanted mess. Also, if your white line runs slightly thin, as you streak along the edge of your star, so much the better - if you look closely, you'll see this happens on the original.


... and there you have it!

Saturday, 7 August 2010

R U Miu Miu?

There are so many of us creative types who find ourselves lingering under the category of "visual creator." That is, less pretentiously put, a person paid to draw attention to a product and increase its sales by making it pretty. From artists and graphic designers through to composers, all parties concerned are united in their ultimate goal of making their products seductive. One such discipline you've probably heard of is "visual merchandising" or strategically and beautifully placing retail products on display in a shop window to turn heads - an turn in those all-important profits. This is practised everywhere from Topshop to the corner shop.

"Never judge a book by its cover" your mum probably told you, but anyone looking to apply that sort of logic to the clothing business is clearly looking at the wrong book, and needs to pick up another one entitled "You Don't Get A Second Chance at a First Impression" How many times have you walked into a shop you didn't plan on entering because you were lured, and consequently reeled in by the evil clutches of, the window display? Research has shown that most of us tend to turn right as we enter a shop. My own bitter experience suggests that you enter transfixed beneath the glare of the bright lights, towards a triptych of mannequins styled to the hilt in an outfit you wouldn't normally have as a gift, even if you were paid a six figure sum or assigned to wear it for a charity as an alternative to being baptised clumsily in a vat of fermenting baked beans...and yet you're intrigued enough to step inside and try the garments on. Wending your way to the changing rooms, you're bombarded with a delectable confection of styling options and accessories to try, each one proving ever more tempting than the last. Even in times of medal-worthy resilience, when you do manage to resist and succeed in your mission to the register undeterred, don't think you can breathe your much deserved sigh of relief yet, for there awaits yet another array of shiny belts, make-up and novelty lip balms. Cute - purchase! Alas! There are also huge flagship stores who take the shopping-as-entertainment aspect to the extreme with nail bars and even in-store hair salons, pulling out every possible stop to stimulate every sense in your body and squeeze every penny from your purse. It's not like this by accident, but thanks to the feverish strategic, formulaic and - possibly - creative efforts of a team of merchandisers trying to promote the company and its image as much as the goods.



Images: Marcio Madeira/ Firstview.com, Rankin for Elle UK, Cheryl-online.net

...And now for something a bit different- the one thing that can shift record clothing sales in the blink of a liquid-lined eye, more so than any nail bars or visual merchandising can hope to - celebrities! Have we got a Chic Cheat treat for you, dear readers. Not only am I referencing THE collection of next season, but giving you a double DIY whammy of two A-listers' oufits. In the black corner, we have Cheryl Cole. In the lilac corner, we have Lily Allen. I bet you didn't think we could get both of them on the same bill with the notorious feuding history they have - well, so I've heard. I'm not the greatest follower of celebrity gossip, especially regarding catfights. I've a relative who says that there are 3 sides to every story - or argument - your side, my side and the truth. I find that for every celebrity brawl there are 3 possible sides the dearly adoring public can take - Team *insert first person's name*, Team *insert second person's name* and Team Couldn't give a Flying Fuck! No prizes for guessing which side I tend to find myself on. Still, a trend is still a trend, a fashion statement is a fashion statement, and it is my civil cyber duty to share the craft of that trend with you all. So, once again, here's how to get the look...

Cole Runnings


Images: Marcio Madeira/ Firstview.com, Cheryl-online.net

You will need

  • A strappy black dress, which Asda do for £14 (product code 3281105)

  • Half a metre of black jersey.

  • 1m of black PVC, available at most good haberdashers, prices may vary.

  • Black bias binding, available at all good haberdashers, prices may vary.

  • Silver wire - £1.85 from most jewellery shops and haberdashers.

  • Pliers.

  • Needle and black thread

  • Scissors

  • Scalpel

  • Sewing machine

Hours

This one should take about 2 days.

Difficulty




Medium

Nothing too taxing here.

Let's Frock!


Cut 14 flower shapes out of your PVC, in varying sizes 2 to 5cm in width.  Glue them, matt side to matt side, onto the rest of your PVC and cut the shapes out again, so that you have 14 PVC flower shapes that are shiny on both sides.




Cut out 28 flower shapes, identical in size to the PVC flowers, in black jersey.  These must be the same size as the PVC flowers, so cut 14 matching pairs of flowers in different sizes varying from 2cm to 5cm in width.




Machine-stitch each of the matching pairs together, 5mm from the edge.



With each of your new fabric flowers, cut away as much of the excess fabric around the edges as possible, without cutting into the seam.  Cut a small "X" in the middle of the flower, on the top layer of the fabric.  Turn the flower inside-out, so that no raw edges are visible.

Attach your fabric flowers to your PVC flowers of the same size.  The side with the "X" shape cut out must be face down, so that it is not visible from the outside.



Now to make the metal filaments for each flower.  You can do this with your silver wire and pliers.  Twist your wire into spokes, bending the wire outwards and back again, and twisting your wire spokes into spiral-like shapes, as shown in the illustration, below:

Stitch your filament patterns into the centre of your flowers.




Cut two oar-like shapes out of your black jersey which are about 5cm longer than your dress straps.  Fold black bias binding around the edges and machine-stitch it in place.




Attach these pieces to your dress directly on top of your straps.



Finally, stitch your flowers onto your new straps.



My variation

...Same principle, slightly different dress.



The Allen Key to Success

Images: Marcio Madeira/ Firstview.com, Rankin for Elle UK

You will need

  • A white lace dress - I found one in Primark for £13 (prod. no. 8083671)

  • A metre of white lace with a clear floral pattern, ideally with flowers of different sizes.  You might need to buy two different fabrics - half a metre of each.  Mine came to £11.50 from Barry's Fabrics in Birmingham (1 Moseley Street, Birmingham B5 6JX tel. 0121 622 6102)

  • White and violet thread

  • Needle

  • Pins

  • Scissors

  • Scalpel

  • Dylon Intense Violet hand fabric dye - £3.25 from Hobbycraft

  • Half a metre of violet jersey.

  • 1m of violet PVC (or, better still, metallic silver PVC if you can find some), available at most good haberdashers, prices may vary.

  • Violet bias binding, available at all good haberdashers, prices may vary.

  • Silver wire - £1.85 from most jewellery shops and haberdashers.

  • Pliers

  • Sewing machine

Hours

This one should take 4-5 days.

Difficulty

Medium

Nothing too taxing here.  It gets a bit fiddly at times, but I'd say this one was more a test of patience than skill, you'll be pleased to know.

Let's Frock!




We go a little in at the deep end in the mind-numbing stakes, unfortunately, for this laborious yet essential stage.  All you have to do is cut 100-200 flowers out of your lace, or as many as you can find, without your eyes crossing!



You can also use the borders of your lace fabric.  Simply cut out 4 pieces and make a flower shape out of them as shown in the picture below:


Congratulations on surviving that lengthy process, now all you have to do is sew them on, one by one, in neat rows like those in the following picture.


Good news:  Not only do you officially deserve a medal for your tireless embellishing, but you should have your own version of the following Miu Miu dress:


Images: Marcio Madeira/ Firstview.com

...Which looks something like this:



Violet Delight

If you want to get Lily's look, you've got to change the colour of the dress to violet, so this is where your violet dye comes in.  Ensure that you follow the instructions on your dye carefully.

Repeat the previous procedure to make the straps and filament-centred flowers.

And, if I'm not much mistaken, you should have something that looks like this: