Showing posts with label Dolce amp; Gabbana. Show all posts
Showing posts with label Dolce amp; Gabbana. Show all posts

Tuesday, 14 January 2014

For Mo-saic! - How to DIY a Dolce & Gabbana Sicily mosaic bag


Dolce

DIY


You will need...



*Flocking is felt-like fluff that you can buy in pots like I did here.

Difficulty

Fairly easy

It’s fiddly in places but I’d say it was more time-consuming and painstaking than hard. It does require a lot of care and attention – and love!

Time

Like I say, you've got to be in it for the long haul with this, as I found out. I wasn’t counting but it’s 40+ hours. Think of it as a long-term investment that you can devote an hour or so an evening and watch it develop over the course of a few months – it’s definitely worth the result!

Make it mosaic

It may help to sketch out the design you’re going to do. Once you've decided, spread your glue over a small area so that it doesn't dry too quickly, apply a thick cluster of flocking with your tweezers and smooth it out so that it goes as far as possible. Use your scalpel to divide it into square shapes.

Repeat this process until all your different coloured areas are filled in.
I couldn't find gold flocking so I used gold fabric paint to cover the main areas and red paint for the handle. The latter is optional.

Use your tweezers and glue to put your diamantés in place.

Wednesday, 14 November 2012

Get your Baroques off - an Update

Just a quick post to let you know there's been some development on the tapestry textured DIY front. Those of you who've read my DIY Dolce & Gabbana-inspired textured tapestry handbag entry will know that I used Dylon pearlescent paint on tapestry woven fabric to create a brocade effect. Well, after a bot of brief experimentation, I thought I'd update you and let you know that Pebeo's Touch Textile Volume paint is better for getting a more puffed surface and a softer, more fabric-like texture. Since I aim to please in the field of near-plagiarist authenticity, I tried it out on a purse and thought I'd share a picture of the result below:


Sunday, 8 July 2012

Pyjama party hard - part 1

"Oi! I said oi! What you looking at, you little rich boy?"


... well, that would be at the latest statement in smooth evening chic if word on the celebrity style street is to be believed...




..for, stepping out in something resembling satin pyjamas and slippers of sorts was Rihanna, at  the premiere of her iconic film, Battleship (I say iconic - I'm talking, of course, about the long-wait-passing travel game on which it was based). The outfit in question was Emilio Pucci's satin printed suit from the autumn/ winter 2012 collection. Not that we would want to give undue credit to Rihanna, for sparking a ground breaking fashion trend. How could a knowledgeable fashionista like myself overlook that time when Jessica Alba wore a very luxurious satin set at the premiere of My Bloody Valentine, back at the beginning of 2009?





While we're on the subject of recognition, I personally have to commend the stylist's attention to detail in the couture context of this one, as it appears he or she has even left the curlers in. B1 and B2 would surely approve. The boudoir's back in business as the shape of fashion to come, but don't just take my word for it. Shortly afterwards, in 2010, it became a talking point of underground culture when the two main protagonists of Irish film, Pyjama Girls, worked the pret-a-pyjama look religiously, indoors and outdoors (and in my lady's chamber - or whatever is the equivalent of a Dublin inner-city high-rise block. Here to observe not to judge, dear readers!) A staple of teen rebellion and an uncharacteristic nod of approval from the designers, in fact,even the stars  - there's even an already burgeoning mainstream chav avenue to whom the trend can so easily sell. It almost seems too easy - and too obvious, as fashion, by its very nature rebels against the static, and all old-hat notions of typically "good taste."

Also, while we're on the subject of stepping out in something resembling men's silk pyjamas from 1930-something, let me tease your grey matter with the following Jean-Paul Gaultier quote:
"Gender-bending, huh! It's a game. Young people understand that to dress like a tart doesn't reflect one's moral stance - perhaps those jolies madames in little Chanel suits are the real tarts? I'm offering equality of sex appeal"
With that in mind, could the paradigm of taste be shifted from tacky to tasteful with the mere change from sweaty polycottons to silk satin? Is there a bigger picture - a paradox even - that betrays an awkward cluster of inner conflicts at the core of fashion? Fashion as an artistic avenue has always been hard-pushed to justify its conceptual and intellectual worth, and, as a result, has always had to be in constant flux, ever changing, ever evolving. Yet, by the same token, those who design it must create a unique, timeless legacy, that endures to be taken seriously and not be caught on the ice floe of transient fads and superficial - even joke - trends. You have to run the risk of the latter to hope to achieve the former. Perhaps it's less about breaking down the boundaries of taste and identity than it is a need to keep asking new questions about them, to gain an ever better understanding of them before you can successfully transgress them. We, in turn, gain a better understanding of society and ourselves as attitudes progress, as well as a better grasp of what the wearer underneath is genuinely intending to say, from within the confines of their clothing. It is only through understanding the complexities of your inspirations and muses that you can truly do their statement justice, and where you take it from there is where your creativity comes into its own. Time will tell where the pyjama trend goes but if you look at other designers' challenges of taste that have gone on to revolutionise fashion, such as Gaultier's pert, feisty conical bras and body-exploring bondage, you'll see that it can be done.  At least that's my take on it. My justification, even. To be honest, anything that could take away the sense of shame that comes with plodding around to the corner shop in pyjamas of a Saturday morning, when I've finally caught up on a week's worth of lost sleep, to buy some emergency milk, because I'm starving and my last drop has congealed, would get my vote. Applying the deodorant can stay, though.



For further reading on the subject, check out this other blog review I found about Pyjama girls:

http://whisty.wordpress.com/2010/04/16/pyjama-girls-dublin-strret-style/

Sunday, 17 June 2012

Scarf Ace

Scarf printed tops are the signature look of the current season - room for one more?








This concept of this tutorial came to me as a creative solution to the issue of what to wear to a festival (and still look fabulous whatever the harsh, conspiring weather!) I came up with a kaftan-style scarf printed top that's lightweight, cool and not too clingy. In fact, the advantage of its shape is the freedom of movement that it allows, as well as the versatility - it can be worn sleeveless with the drapes cascading along the sides or wrapped around your arms for extra warmth. What's more, if you glam it up and choose a silk patterned scarf, it's as chic for day wear as it is classy for the evenings.

Now that we're well into the season for spring/summer 2012 (read, just about getting started as far as the weather's concerned), I've noticed that the fashion statement to shout the loudest this season has been the Dolce & Gabbana-inspired scarf print look. The above examples are, well, just to refresh your memory, if, indeed they're needed (in which case, I do hope you enjoyed your holiday in space and eagerly await your postcard) Scarf prints are just one of the key looks inspired by Dolce & Gabbana, as they hold a well-heeled (and high-heeled I should suspect) foot in the camp of couture, with their collections being among the most talked about, season upon season. What's more, nostalgic romanticism was at the core of their creative inspiration from the start, the scarf prints of this season have just been a novel, contemporary approach, as is inevitable in fashion. As Domenico Dolce once said: "I like time. Now is not two minutes later and it's never like before. Repetition doesn't exist." Amen to that, and to alternate interpretation, Mr D.

Speaking  of new sartorial incarnations, the kaftan-style top I came up with was meant as an easy tutorial, ideal for all abilities and levels of experience. I also find it's great as a kind of all-purpose top, ideal for evening wear, throwing over a bikini at the pool and even for wearing with cut off shorts at a festival. It's easy to move in and great for adding a touch of elegantly draped finesse to an outfit...though I say it myself!

You will need


A patterned scarf, about 1m x 1m (H&M currently do one for £7)

About 1.5m ribbon that's strong and wide (mine was 3.5cm in width, priced at £4.35 from John Lewis, however you can buy it much more cheaply at a market. Also I'd recommend you choose a versatile colour that's not too hard to match like black or white)

Sewing machine

Thread that matches your scarf

Sewing scissors (the smaller and sharper the better)

Embellishment trims and all purpose/contact adhesive (optional. Quick tip: A thin covering of glue on the ends of your ribbon is a great and subtle way to stop it from fraying)

Tape measure

Patternmaster or a ruler and setsquare for measuring points on the scarf and making sure they're measured along straight lines.)

Metallic gel pen

Sewing pins

Difficulty


So-so

Just because you'll more than likely be working with a satin scarf or even something more sheer like chiffon, which can be a bit of a fiddle to sew. My advice is to just take care and take your time to avoid any nasty snagging and ripping.

Time

It took me 5-6 hours but I was pretty distracted so normally it'd probably be a lot less.


 So, here's how to give your scarf a second life...