Monday, 27 August 2012

Chic Challenge: Girl Power Dressing!

Knowing as I'm sure you do, dear loyal readers, how much I love a challenge I thought I'd let you know about a challenge I set myself to replicate this Emilio Pucci gold jacket, most famously seen on Gossip Girl:



...within a 2-hour time frame.

Difficulty

Easy

I feel marginally hypocritical saying so as there were a few things I did wrong, learnt from and would do differently next time. However those issues were more choice-of-method-related and I endeavour to guide you accordingly so as not to end up in quite the same boat.



Time


This tutorial actually took me somewhere between 2 and a half and 3 hours, in fact I feel I should have been even slower and more cautious. That said, a 20-hour-plus job this baby ain't!

You will need


A skimpy metallic gold jacket, I was slightly extravagant and picked up mine for £20 from Ebay but I'd say look anywhere second-hand as you may be lucky with car boot sales and charity shops

6m of gold sequinned trim

Short, sharp scissors

Glue gun

2 sponges, ideally rectangular like these - yes, it's all glamour at DIY Fashion HQ!

Flat shoulder pads mine came with the jacket

Gel pen

A few fabulous steps

 

I made sure my line was a gentle curve and measured out opposite points on either side to ensure it was symmetrical.


As you can see I used round sponges but I'd recommend something narrower like rectangular or oblong-shaped ones. You kind of need to mould them down so that they're totally smooth and curved rather than angular at the edges, reaching a pointed peak on one side.

Then glue them to your shoulder pads so that they're ready for positioning inside your jacket. Make sure you get the placement absolutely right and symmetrical.


Now it's time to add a fabulous sequinned finish...


...and you should have something rather uncannily resembling this:




Like I say, it didn't turn out exactly as I had planned. I could have made my sponges narrower and smoother still at the sides, so that they formed gentler slopes. I might also sponge it down with some gold metallic paint as and when I've got a minute because, you know, working full time and living by myself is a lifestyle so boundlessly generous when it comes to leisure time needing to be filled! All joking aside, that advice should make your version easier than mine with better results.

Sunday, 19 August 2012

Gucci's Great Gatsby

 Thought I'd round off this unexpected sultry summer season with my DIY ode to Gucci's roaringly fabulous 20s-style dresses, specifically one worn by a slew of A-listers. including Taylor Swift and Zooey Deschanel.







You will need

7m of 10cm wide gold upholstery fringing, mine came to £20.93 from mnj-trimmings (2133) on Ebay

1m of 30cm wide black fringing, which would come to £7.40 if you bought it from seller anthony1547 (60515) on Ebay

 3m of 15cm wide black fringing which would come to £11.40 if you bought it from seller anthony1547 (60515) on Ebay

 3m of 2.5cm wide black fringing which would come to £6.30 if you bought it from seller anthony1547 (60515) on Ebay

 Scissors, ideally of the badass tailoring variety (Any lucky Londoners reading this should check out William Gee near Shoreditch)  because of the sharpness and length – in this instance, I’m afraid it’s more about size than how well you use them, simply because the larger said size is the easier the latter should be – sorry!

 Glue gun

 Knee length black dress (a little black one will do – you can’t beat the classics!)

 Gold or metallic gel pen for sketching out lines

Difficulty


Medium-easy

Fiddly in places but smile of you like a bit of cut, stick ‘n’ colour!

Total cost

 £46, which just covers the fringing, so near enough the original predicted budget. I used an old dress. Also, you’ll need to stock up on sticks for your glue gun because, boy, you’re going to need them! Costings were the reason I gave this entry a late seasonal entrance and while I knew the budget would be a big ‘un, I can validly say, don’t let it put you off!

…Oh, and also, I think the original comes within the region of £9000 so my sartorial solution’s a drop in the ocean by comparison, to say the least. Besides, the original’s officially sold out online meaning it’s not an option anyway – so there!


Time

Uhhhhh, a lot! If I’m honest that was another drawback. I mostly worked on dress in fits and starts around my work schedule so  it’s really hard to say. Maybe within the region of 10 hours.


Three simple steps to a roaringly good 20s look













Sunday, 12 August 2012

DIY Digest: Foiled!

Another charming addition I thought I'd share with you - one that adds a £10 foil-finished jumper and some silver fabric paint, and no the result isn't £35, like the design that inspired it.


 Image: Riverisland.com


It was this impromptu urge to indulge that became me as I strolled through the shop earlier this weekend, before an increasingly well-used self-talk mantra that was to chine in my mind once again: "Wait for the sale!" before my creative call-to-arms; "I can make it at home for nothing!" My point? It comes at two different angles, for meandering as I was to the sale section, I recalled that I was comfortably replete in the silver fabric paint stakes and thought "All I need is a white jumper - surely that'd be bad tactics for them to put something as blatant as that in the sale?" Thankfully, how wrong I was. 10 minutes and one £10 pearlescent white jumper later, I knew exactly what I had to do to get a bona fide metallic foil effect.







You will need


Black and silver fabric paint - £3 each from Dylon

Fabric paintbrush - I'd recommend a coarse, bristly one

A white or cream jumper, bonus points if you can get one with a pearlescent "foil" finish, failing that, you can create a similar effect on the surface onto which you wish to paint, by investing in some pearlescent fabric paint



Time

I actually did time this one to the minute, well to the 30 minutes the whole process took me. Happy and glorious times!



Difficulty


Very easy

Needless to say, if you ask me!


How it's done


I find it helps to sketch your skull in place first with a pencil. Then mix in some black with your silver so that it contrasts with the background. Apply generous amounts of paint with each brush, sketching out some tiny leopard-style patterns in paint. You'll see that the pearlescent surface shines through to give it a metallic effect instead of the usual matte finish.

























Sunday, 5 August 2012

Rio steal

Fashion has always been an avenue for paradoxes - well, in much the same way that this past summer's been a bit drizzly in parts, or that the infamous naga bhut jolokia chilli can have a bit of an afterkick. It is as much about regimented adherence to a given set of trends as it is about the necessity to be constantly breaking the rules and reinventing itself. As the late Isabella Blow once said, "fashion is anarchy." Then, there are times when it can be downright perverse, for instance...

How this season's fashion encourages us to dress:




How this season's weather necessitates that we dress:



Endemically British laments aside (with or without tea and scones) should we really blame it on fashion for being out of touch? I mean, how were the Premiere Vision Paris personnel to know that the gulf stream would be causing trouble this year and, you know, why should they care? Beyond the ivory towers of the elite, who think nothing of spending a four figure sum on a couture dress, we mortals are much harder pushed to justify parting with money for something we're simply never going to find an occasion to wear because it's constantly hammering down and freezing! Then again, isn't that that fashion's problem, as a creative avenue that has always struggled to be taken seriously? Why, my child, that question brings me to one of juiciest paradoxes of all: Out of all the design disciplines, fashion - the avenue that's always had to try the hardest to justify its existence and value system - is up there with the best of them in terms of necessity, and will be until the day we cease to need coverage. Since we have yet to start growing adequately protective fur (and deem it socially acceptable not to wax it and/or cover it with cheap diamantés - fur-jazzle, anyone?) we will simply need clothing, or something with which to cover ourselves. Not that it's just a question of basic insulation - every authoritative institution, from school to the army and prison, enforces the wearing of uniforms, with the latter including head shaving in their bid to help enforce their authority and values, while helping to quash any personal expression and resistance. Sartorial statements hold great psychological importance as a means of  personal expression,- they're never "just clothes" - hence why fashion has always provided such fertile ground for intellectual deconstruction and discourse.
Any stereotypical bitchiness, insecurity or superficiality on the part of the fashion world is surely self-inflicted.


Image: Vogue Brazil


For this entry, I've taken on the green circled denim shorts, recently worn in Vogue Brazil by Gisele Bundchen, only I've made them with warm, woolly crocheted circles, allowing me to hold on to this summer's exuberant neon and denim trend and at the same time to have something warm and snug for the inevitable cold that's get to come - so, that should be tomorrow's outfit taken care of!

You will need

Green wool

Cream wool

Crochet hook

Denim shorts

Scissors

Glue Gun

50-100 studs depending on how many circles you want to make.



Difficulty


Very easy

All you have to do is learn to crochet - and then marvel at how amazingly fun and therapeutic it is!


Time

Each circle takes up to 8 minutes, with the cream border taking a maximum of 3. Putting the shorts together took me 3 hours, and I don't want to give away the ending, but, let's just say it included "studding" and gluing!


How it's done

First of all you have to learn to crochet your circles. I'm a bit too lazy and bad at single-handed photography to explain it in pictures, so instead, I'll recommend you use this video tutorial especially up to 2:09, to teach yourself how to make a basic chain. Also, not how she starts a new row.

  1. Make a chain of three loops, then insert your hook into the first one along, i.e. the one that's furthest away, then make a loop that links the two.

  2. Insert your hook into the link below it and stitch a loop from that.
  3. Repeat this process, working your way around the links below, to make a circle 2-4cm in diameter.

  4. Repeat this process of crocheting small circles. You can make 10, 50 or 100 - you're the designer! That's just how we roll in the world of DIY! Just to give you an idea, I did about 48.
  5. Using your cream wool, crochet a single-loop-wide border around each circle by making a loop, inserting your hook into a link around the edge, making another loop and pulling your hook through all three of them. Repeat this process, working your way around the edge.
  6. Put a cone stud in the centre of each circle.
  7. Glue your circles in place.
  8. To form links between circles, like the ones on the original, use your crochet hook to thread your wool through one of the loops in the outside and tie them in place. Cut away the excess thread.


And there you have it!



Oh, and if you fancy attempting the red belt - I mean, why wouldn't you? - this is useful.

Sunday, 29 July 2012

Little shopping horrors

Have you ever tried out a new style a fashion magazine imperatively urges you to DO, only to emerge as a full-on, spectacular fashion DON'T? Join the club, I say...




I had a bit of a moment this morning. Leafing through a fashion magazine stumbling upon an image of how to sport larger than life film icon curls incited me to join the new wave(-iness) of hair styling myself. Might I start by saying that I have so much hair there probaby aren't enough rollers in the world to achieve curls the old-fashioned way, nor would there be enough space on my head. Curling tongs are awkward and take forever. My last option, having heard about it recently, was to use an anti-frizz curling aid product which I plumper for, as a result. And so I idled away, blow-drying and diligently following the given instructions, enveloped in fantasies of effortlessly cascading tresses a la Beyoncé when the shock finally kicked in - staring back in the mirror, I swear, was Pat Butcher's evil stuck in the 80s twin. I might have gone in thinking screen queen, but I came out with an amorphous amalgam of limpid frizz and deranged mess or, to put it bluntly, a veritable passé poodle-head!

Not that this was a one-off. Time and time again I have tried, oh boy have I tried, to emulate the effortless and seemingly straightforward gloss demonstrated in fashion magazines, preened feverishly to the bafflement - and annoyance - of those around me, all ultimately to no avail. As for the 80s treatment the last attempt left me with, my last resort would be to try and carry it off in Brick Lane, alongside all the vintage-addled hipsters, topped off with plastic beads and extra-large sunglasses, as a semi-ironic statement. Hey, if they can charge king's ransom for beaded evening dresses your granny would have thrown out once she hit "the change" in even cheaper-looking fabrics and more garish colours than the first time around, surely my new statement stands as good a chance of acceptance as any.

Still, keeping to the point, following my brief digression,  I am not knocking fashion magazines, as I know they have a job to do - and it isn't social realism. It is easy to see the stereotypical auduience such publications are aimed at - a well-to-do professional with a fashion sample size figure and refined bone structure based in hub of consumerist city life - which readers, in turn, either identify with or dedicatedly aspire to. This is the depressing nub of the problem, of how long we can keep up the charade of emulation, and be as inspired as we are to see ourselves in the desired light, before the practical realities hit. It's not about wadintg through the mires of what is logistically possible - it's about what you wish to be - selling us a dream, because it's the dream part that sells the clothes, or the makeup, or arguably the site traffic in an ever-competitive, up-and-coming blogosphere. And who is the fashion industry to refute that when it is so blatantly in their best interests?



It is with assured sincerity that the magazines tell us how - and how not - to look, made even more obvious by the images of the stylistically majestic versus the cringeworthy - "do" this, "don't" go for this look. And for those still too sartorially off-key to see the difference, it is further explained in disparagingly facetious tones as to exactly why you'd want your bikini to fit like X, to mix colour Y with Z - and, god, sooo not A - and what was miss Wardrobe Disaster of 2012 thinking stepping out with that on show!? Inevitably your defence is to smile and nod with the most bovine of subservience like a pupil to a headstrong schoolmistress - yes, Miss, no, Miss, three bags full, Miss, and no, we're not referring to what the contents of our cleavage should look like! The irony - and chutzpah - being the notion that one should have a choice without the time, money, skill, stylists and makeup artists, products, strategic lighting and re-touching available to those who model the looks in question. Of course any stylist who outwardly encourages hemlines so high can one's backside even keep up? - oh, yah, work those dimples, honey - warrants sectioning, but let's be honest, that doesn't happen, not consciously, anyway. You only have to look at the what to wear versus what not to wear sections of these magazines to see that the amount of photos of members of the public sporting the faux pas is disproportionately higher to those who appear to have got it right - and it wasn't by accident.

Ah, yes, there's another fashion minefield - the great cheese-string connundrum of bikinis. Your ensemble could fit perfectly, leaving all indecent areas to the imagination, it still doesn't guarantee that it will be forced to regress by the high tide, thereby exposing more than was part of the plan. It's not as if the sizing up issue stops there . We the public are forever instructed as to what size we are supposed to be and prompted on what size to kid ourselves into buying. Yes the promise that you'll look good in those size XXS hotpants if you lose 10lbs in inspiring and alluring - failing to do so and wearing them anyway isn't. Fickle as the industry is, if it's not weoght it's something else. Sans personal shopper, you may stumble across a fabulous top or dress, and then some different yet equally sumptuous shoes - put them together and what have you got? A catastrophe! Far too clashy, don't you know - or mightn't you have thought in the deceptive lure of the changing room mirror?

It is true that boundaries have been pushed in terms of unattainable standards of beauty, and even parameters of good taste, thanks to so many sites to which their own audience contributes - Lookbook, WIWT and Asos Fashion finder to name but an obvious three. However, similar trends appear to manifest themselves in terms of members that reap the most exposure, through following and "hype" - namely those concerning the tall, the slender and the conventionally photogenic. There's no conspiracy theory to it either. We inherently look for variety, excitement and entertainment, to please our senses as much as we endeavour to stimulate them. To be aesthetically satisfied as much as we are challenged. To seek out visual and emotional pleasure as much as we do novelty. In order to attract our attention, something needs to surpass us in wit, beauty or talent, and yet, with the degree of intimacy with which we follow our heroes, it is so easy to confound the elite with the everyday in terms of attainability. What we see in the mirror is not airbrushed by artists or enveloped with an intimidating journalese-soaked back story, yet we almost see a conceivable part of us embodied in so many of those we look up to. It is a curious paradox of identification and aspiration that we experience, and we need to question, tease out the various fibres of both beings to appreciate what is really being comunicated and what, realistically to live up to.

Thank you for reading, this exercise in sartorial philosophy has left me with just one question - playsuits and denim jackets with knee-high socks? Come on, I know I can wing this one. Urban rebellion is who I am!

Thursday, 26 July 2012

Ankle of arrival


You will need


Plain black ankle boots - hard to specify a price for this one but I'd recommend charity shops or Ebay and it would just depend on how lucky you were with finds. I chose a pair with a bit of a heel and paid £12.50 from a local charity shop

Gold beads - I plumped for a canny (I like to think) but selectively feasible option with this one, as you will need LOADS, as in 1500+ I picked up a tiny gold bead covered necklace in a sale from Miss Selfridge for £2, which I sadly can't find on the website. I'd advise some lateral thinking with this one -see if you can fine a cheap gold beaded collar you can take apart. Failing that, might I suggest three packs of 500x 2mm beads, priced at £5.55 each from Riverside Beads

Six buckled kilt straps (priced at 3.29 for a set of two from Amazon plus £2.69 postage and packing) I actually chose some shoes which already had a buckle and maybe you will to, so inevitably, prices will vary.

Gold Fimo clay, £1.99 at Cuddly Buddly

UHU All Purpose Adhesive £1.07 from here  - Perfect as it's quick-drying

Gold paint marker

Grid paper - downloadable and printable from here

Paper scissors

Long-nosed tweezers (optional)

Time

About 7 hours per shoe.



Difficulty

Medium-easy

The gluing’s a little bit fiddly in places but otherwise pretty straightforward.



Total cost

For me it would have been about £28, which is somewhat better than £815 like the originals!


To get your shoe-in…




Sketch out the three geometric-looking patterns from the original onto your graph paper, just to get an idea for the outlines. These will be your template. Once you’re done, cut them out.




Sketch the outlines in the appropriate places on your ankle boots with dots using your gold pen, so that they blend in.


Studying the originals closely for outlines and solid beaded shapes, stick your beads in place using your all purpose adhesive glue.




Glue your kilt straps along the centre of each shoe making sure they’re symmetrical.

Using your gold clay, make some tips for each of your straps and covers for each of your buckles (Note: I didn’t actually use gold clay, I used white Fimo clay, covered in gold leaf sheets and lived to regret it - I wouldn’t recommend it as it’s messy, fiddly and not worth the result) Bake in the oven as instructed (follow instructions carefully or chances are it won’t work – and I’ll be telling on you!)


Glue your buckles and point in place...




… and voilà!



Monday, 16 July 2012

Crowd-pleaser jewels - Part 2, Queenly brightness

You will need

A silver necklace (I used an old one but you can pick up a cheap necklace in one of the summer sales)

Long-nosed pliers

A silver brooch, ideally oval in shape with lots of white diamantés and lots of branches or cut out details you can weave ribbon through. I paid about £5 for mine here

Fluorescent yellow ribbon, about 4mm wide. I got mine in a 3m bundle from here

A chunky silver chain, I got mine here 

Green string (I painted mine but wouldn't recommend it, given the time-consuming faff involved. I found some metallic green string online here)

Glue gun

Extra gems or silver skulls (optional)



Difficulty

Pretty easy

You have to be good - and patient - with winding lots of string and ribbon onto the brooch, and some care, as well as skill, with fixing chain links with pliers wouldn't go amiss, but overall, this would have to be one of my more straightforward outings.

Time 

Mine took 4-5 hours, but I was a bit distracted so yours shouldn't take as long.



Total cost

Mine cost £9.40, or £129.60 less than the original.



So, here's how it's done








That flash of ribbon weaving genius again, if I dare say so myself